Catalog Description: C.1925, Seth Thomas, “Regulator No. 4” in oak and in excellent original condition. This is about the nicest No. 4 we have had, with original dial, hands, weight and pendulum (minor dings in pendulum). Original finish is medium brown with great patination. Height 42 inches
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Catalog Description: C.1922, Seth Thomas, “Regulator No. 4″ wall clock in oak case , and in excellent condition. The exterior only of this clock has been professionally refinished to golden oak and with an attractive satin sheen; interior sides, back and mask are original as is the painted dial. The No. 4 did not sell in the quantities of the No. 2, and does not turn up that often. This clock ran in the owner’s library for the last 10 years and would be welcome anywhere. Height 42” $900-1200
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Catalog Description: C.1909, Seth Thomas, Regulator No. 32 wall clock in oak and in excellent condition, with some restoration. The dial has been professionally repainted (non crackle), and the case nicely refinished to golden oak some time ago (has nice patina). This is among the nicer looking Seth Thomas large regulators, having burled applique on the door and a central burled panel in the rear. Retains original hands, pulley, pendulum, and case hardware. Height 68″
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Catalog Description: C.1910, Seth Thomas, Regulator No. 30, 1-weight timepiece, in oak. Condition: the case has been refinished and has some restorations: the center top trim (carved round button) has been replaced and is not the proper configuration; it will cost you around $100 to have someone carve the correct trim. Also the little oak ball for the very top is absent. The clock is otherwise clean and original and ready to enjoy; minor flaking on dial. If all original, would easily bring $4,000. Height 40 inches
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Catalog Description: C.1909, Seth Thomas, Thomaston, Conn, “Regulator No. 30 “, in oak, in excellent original condition. Seth Thomas wall regulators have experienced one of the greatest run ups in value of any group of clocks, and the pleasant appearance of this model is one of the reasons. Details on this clock may be found in Tran Ly’s book Seth Thomas Clocks and Movements, (1996), page137. The movement is the same 80 beat unit used in the Regulator No. 2. The golden oak case has been rubbed to a high sheen, and the movement cleaned and re-cabled. Original weight and damascene pendulum (some design a bit light). Ready to enjoy. Height 49”
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Catalog Description: C.1909, Seth Thomas Clock Co., “Regulator No. 30”, 8-day weight wall timepiece, replaced top and bottom. Condition: Refinished oak case in nice condition with restorations; very rear surface of case back has lost its veneer, and the remaining soft wood has cracked and split. Top and bottom bracket are nicely made, but not to proper proportions. Hands, movement, pendulum and weight are original, dial is recently silk screened over original surface; shadow of prior black is evident. An original would sell for $4000. Height 50 inches [126 cm]
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Catalog Description: C.1905, Seth Thomas, Thomaston, Conn, “Regulator No. 30”, in oak. Condition: except for some inpainting on the dial this clock is in excellent original condition. Seth Thomas wall regulators continue to experience good appreciation in value, and the pleasant appearance of this model is one of the reasons. Details on this clock may be found in Tran Ly’s book Seth Thomas Clocks and Movements, [1996], page137. The movement is the same 80 beat unit used in the Regulator No. 2. The golden oak case retains its original mildly crazed finish and will wax up nicely. The movement has been re-cabled. Original weight and pendulum, old crank. An extra nice example Height 49 inches
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Catalog Description: C.1890, Seth Thomas, “Regulator No 30”, in walnut and in excellent original condition. If you are looking for one model 30 to keep and enjoy, this is the one. Retains original nickel finish bezel, weight, pendulum and pulley. The original dial is without flakes; some wear to numerals and the ST logo, commensurate with age of clock. Height 49 inches
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Catalog Description: Seth Thomas, “Regulator No. 3″, C. 1886. This is a large wall clock, 42″ high, probably an expansion of the 34” No. 2 Regulator, with some minor changes, such as the 12 piece bezel, and finials. The old oak veneer is tight and in good condition with a few well executed repairs. The overall finish is good, gold gilt around the door has been repainted. The finials which are so often lost on the No. 3, look identical to the originals I have had on other No. 3’s. On the inside of the lower door is the stamped number “141”; the letters preceding the number have been partially chiseled away. I can see the remains of “B & O”, but it might be wishful thinking. If someone walked away with a railroad clock I can imagine they would want to erase the B&O. The movement is a signed No. 62, weight driven, time only with maintaining power and a Graham dead-beat escapement. It is interesting to note that the No. 62 movement was used on the early models with finials, and the later models without finials. The pendulum bob, stick, and pulley look to be original. The backboard has the original brass beat scale and the original label is in the bottom of the case, about 80% legible. The 14 inch dial is probably a very old repaint on the original pan. There are some service dates penciled on the dial stiffener board starting with, 8-16-09 thru 12-6-26. The clock is a strong runner and far above average for the No. 3’s I have had or seen. Ly-Seth Thomas, page 113.
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Catalog Description: Seth Thomas “Regulator No. 3” ca 1886. The backboard, movement, dial, and hands, are the good. The 8 day, one weight movement is a strong runner. The weight, although correct, is not a cream puff. The bob may be correct, not sure. The stick is not original. Label and beat scale are in the lower part of the case. The ugly is the charred left side that was exposed to excessive heat. A good shop man will probably make a new side board and take the octagon bezel apart and replace a couple of sections on the left side. Most of us would sand the devil out of the charred pieces, get it down to good wood, and leave it together. We do feel the good parts did not start life with the bad and ugly. Doesn’t that make you wonder what happened to the rest of the case “good” came with. Surely it was better than this case. As you can see there are no finials. The dial is an old repaint. Ly-Seth Thomas, page 113.
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